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The RME OctaMic II is an 8 channel microphone/line preamplifier that also provides pristine analog-to-digital conversion of all channels. Low distortion, excellent signal-to-noise ration and highly linear frequency response all contribute to the ability of the unit to transmit and amplify an accurate representation of the source.


The analog-to-digital converter delivers 8 channels of pristine digital output, available as double ADAT output (S/MUX up to 96kHz) and simultaneously as 4 AES outputs (up to 192kHz) via a DB-25 connector. The converter can be clocked internally as a master, or externally via word clock and AES sync, while SteadyClock technology ensures the very best sound quality even with a jittery external clock.


8-channel microphone/line preamp with 8-channels of analog-to-digital conversionLow distortion with linear frequency response provides clear and transparent preamplificationEach channel features a gain control along with switches for enabling phantom power, a high-pass filter and phase reverse.


Per channel LEDs indicate phantom power status, signal presence and a clip indicator. When activated, a "Clip Hold" button prompts any corresponding clip LED to flash once a second when an overload is detected on that particular channel

 

8 short-circuit protected, low-impedance and servo-balanced line outputs can have their reference level changed simultaneously, via a front panel switch, to aid in maintaining optimum output levels.

 

The 8-channel analog-to-digital conversion operates at up to 192kHz. Digital output is available simultaneously at the two ADAT outputs, allowing for S/MUX operation up to 96kHz, and at a DB-25 connector delivering 4 AES/EBU outputs, up to 192kHz. Analog outputs and both digital outputs operate simultaneously. SteadyClock ensures near perfect conversion by almost completely removing jitter on any external sync source.

RME OctaMic II 8 Channel Microphone/Line Preamp and Analog-to-Digital Converter

$1,899.00Price
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  • Preamps & Input

    - Eight high-end preamps with 54 dB gain range (+6 to +60 dB) and low distortion (< 0.0005% @ 30 dB Gain).

    Analog-to-Digital (AD) Conversion

    - Up to 192 kHz, 24-bit conversion with 110 dB(A) SNR.

    Input Flexibility

    - Eight balanced Neutrik XLR/TRS combo inputs that handle both microphone and line signals, with 48V phantom power per channel.

    Simultaneous Outputs

    - Dual ADAT (S/MUX, up to 96 kHz) and a DB-25 connector for 4 AES/EBU outputs (up to 192 kHz).

    Clocking & Stability

    - SteadyClock ensures superior converter quality even with jittery external clocks.

    Special Features

    - "Clip Hold" mode for easy detection of overloads, switchable low-cut filter (80 Hz), and phase reverse per channel.

    Power & Design

    - Internal wide-range power supply (100V-240V AC) with line filter and improved housing for better heat dissipation

  • Channels

    - 8 Microphone/Line preamps with AD converter

    Analog Inputs

    - 8 x XLR/TRS Combo jacks

    Analog Outputs

    - 8 x 1/4" TRS (servo-balanced)

    Digital Outputs

    - 2 x ADAT (up to 96 kHz), 1 x DB-25 (AES/EBU, up to 192 kHz)

    Gain Range

    - 6 dB to 60 dB

    Frequency Response

    - 5 Hz – 200 kHz (-0.5 dB)

    Signal-to-Noise Ratio (SNR)

    - 129 dB EIN (@ 150 Ohm)

    THD+N

    - < 0.0005 % (@ 30 dB Gain)

    AD Conversion SNR

    - > 110 dB(A)

    Phantom Power

    - +48V switchable per channel

    Low Cut Filter

    - 80 Hz, 18 dB/oct

    Power Supply

    - Internal 100-240V AC switch mode

    Dimensions/Format

    - 1U Rackmount, 19" 

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