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The AEA RPQ3 Ribbon Preamp and EQ provide two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.

 

Specifically designed for ribbon microphones, the RPQ3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for.

 

A Gain Powerhouse

The RPQ3 is a powerhouse that provides unparalleled high gain with low-noise. With 85db of JFET output, the RPQ3 gives you enough juice to record soft sources without ever having to worry about noise.

The RPQ3 is the tool of choice for all microphones whenever a true and pristine signal path is desired. AEA's 3rd generation circuitry is the cleanest and most musical design they've done yet.

 

Quieter Than Outer Space

With the RPQ3, you will never consider a source too quiet to record with a ribbon mic ever again. Passive ribbons with low output levels require preamps that supply a high level of output. If the preamp you use doesn’t have enough clean gain, the mic signal may seem too soft or noisy which may be apparent when recording quiet acoustic guitars or strings, especially at a distance or with long cable runs. The RPQ3 eliminates this concern.

 

CurveShaper™ EQ

The RPQ3’s CurveShaper™ EQ is a powerful tool that gives you the ability to control your microphone right at the start of the signal path. The updated adjustable boost/cut low and high-frequency controls allow you to tame proximity problems and provide high-frequency extension with slope control.

The high-frequency filter boost enables you to add presence and air to your source  –perfect for sources like ribbons and 2-busses that often benefit from some extra top-end. The low-frequency control easily removes bass build-up in a fast and unobtrusive way.

 

High Impedance Makes a Huge Difference

The sound and tonality of dynamic microphones like ribbons and moving-coils are directly affected by the impedance of a preamp. The higher the impedance, the better the sound. The RPQ3 boasts an extra high input impedance of 68K Ohms (phantom power off).

 

Preamps with an impedance of under 10k ohms will limit the lows, highs, and transients of your passive microphones. The RPQ3’s high impedance will reveal your microphone’s true nature– a thick low-end, open top-end, and articulate transient response that you will need to hear to believe. Both condensers and active microphones also benefit from the RPQ3’s impedance.

AEA RPQ3 Two Channel Ribbon Preamp and EQ

$1,799.00Price
Quantity
  • Two channels with 85 dB of sweet and quiet JFET gain in a full-rack preamp

    Optimized for ribbon, condenser, and dynamic mics

    LF/HF boost and cut

    EQ boost/cut, +/-20 dB (high range), +/- 10dB (low range)

    EQ in/out switching (overall and individual bands)

    Switchable phantom power and polarity

    68-kilohm high-impedance circuitry provides better transients, frequency response, and higher output sensitivity

    Switching power supply for use in any country

    1 RU half-rack with optional hardware for mounting one or two units together

    Made in the USA

  • Max Gain at 1 kHz

    85 dB

    EIN Max gain, 22 Hz to 22 KHz, unweighted

    - -130 dBu (typical), 40 Ω source -128 dBu (typical), 150 Ω source

    Frequency Response

    30 dB gain: (-0.6 dB 10 Hz, -3 dB 160 kHz)

    85 dB gain: (-3 dB 10 Hz and 160 kHz)

    THD+N

    - 0.0018% (1kHz, 22 Hz-22 kHz @30 dB Gain +4 dBu output)

    XLR Output Max Level

    - +27 dBu into 600 Ω load

    Input Impedance

    - 11.3 kΩ (with Phantom), 68 kΩ (no Phantom)

    Output Impedance

    - 50 Ω

    Max Input Signal Level

    - +20 dBu (minimum gain)

    Stepped Gain Control

    12-position switch from +7 dB to +65 dB

    Output Trim

    - Continuously variable from 0 dB to +20 dB

    EQ Circuitry

    - First order shelving response

    20 dB max boost/cut high range, 10 dB max boost/cut low range

    Low frequency sweep continuously variable 40 Hz to 675 Hz

    High frequency sweep continuously variable 2 kHz to 28 kHz

    Input and Output XLR Polarity

    - Pin 2 hot

    LED Signal Level Indicators

    - Green LED ≅ -20 dBu

    Yellow LED = 0 dBu

    Red LED ≅ +20 dBu (clipping +27 dBu)

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