top of page
Shure SCM262 Stereo Microphone Mixer
For over a generation, Shure mixers, as well as a host of other Shure products, have been chosen for installed sound applications with unparalleled peace-of-mind. Shure's "SCM" mixer family is designed with simplicity in mind, allowing you to focus on your job, not your audio system. Provides the right combination of features, benefits and ease-of-use in a user-friendly package. Effectively manage multi-microphone installations in boardrooms, city halls, conference spaces and distance learning.
 
Many smaller installations require an easy-to-use mixer with very specific features and capabilities. You need to integrate your microphones and stereo equipment without paying for features you'll never use. And of course you'll need dependability. The Shure SCM262 Stereo Microphone Mixer incorporates 2 active-balanced microphone inputs with 3 unbalanced stereo aux level inputs for use in sound reinforcement applications. Includes tone controls, 12 V phantom power, internal power, and ducking and mute function. Features tailor-made for your smaller application -- such as jukebox mute that allows the SCM262 to be used as a paging mixer.
 
The SCM262 has been designed with simplicity in mind allowing you to focus on your job not your audio system. Providing the right combination of features benefits and ease-of-use the SCM262 is perfect for the following applications:
- Restaurants
- Aerobics/Health Clubs
- Corporate Training
- Classrooms

Shure SCM262 Stereo Microphone Mixer

$341.00Price
Quantity

  • - Designed to combine paging with background music.

    - One active balanced XLR mic input channel

    - One active balanced XLR mic and 1/4 inch TRS line input channel

    - Three stereo input channels (Six phono connectors)

    - One unbalanced stereo output (Two phono connectors)

    - One balanced stereo mic/line output (Two 1/4 inch TRS connectors)

    - 12V phantom power for condenser microphones

    - Defeatable ducking function

    - Jukebox mute function

    - All in a half-rack chassis

  • - Frequency Response (Ref 1 kHz, channel and master controls centered)

    - MIC/LINE Inputs: 150 Hz to 20 kHz +/- 2 Db; AUX Inputs: 20 Hz to 20 kHz +/- 2 dB

    - Low-Cut Filter (Microphone inputs only); 3dB down at 80 Hz, 6 dB/octave

    - Inputs: XLR, Line, Stereo

    - Outputs: XLR, Line, Aux

    - Total Harmonic Distortion: <0.25% at +4 dBu output level, (through 22 Hz -- 22 kHz filter; MIC Input 1 and Master at center, all other controls full counterclockwise)

    - Equivalent Input Hum and Noise(150 W source; 22 Hz -- 22 kHz): -125 dBV

    - Output Hum and Noise (22 Hz -- 22 kHz; channel controls full counterclockwise): Master full counterclockwise: -85 Dbv; Master full clockwise: -60 dBV

    - Common Mode Rejection: >70 dB at 1 kHz

    - Polarity: All inputs to all outputs are non-inverting.

    - Overload and Shorting Protection: Shorting outputs, even for prolonged periods, causes no damage. Microphone inputs are not damaged by signals up to +10 dBV; Line and Aux inputs by signals up to +28 dBV

    - Equalization: Bass (Low-frequency shelving, corner frequency at 250 Hz): +/- 6 Db; Treble (High-frequency shelving, corner frequency at 4 kHz): +/- 6 dB

    - Ducking: Mic channels 1 and 2 Levels: -20 dB or infinite Db; Activation time: 10 ms (typical); Mic Deactivation time: 2 s (typical); Jukebox Mute Deactivation Time: 30 s (typical)

    - Phantom Power: 12 Vdc open-circuit through 680 ohm resistors

    - Operating Voltage: SCM262: 100--120 Vac, 50/60 Hz, 60 mA

    - Temperature Range; Operating: -7 degrees to 49 degrees C (20 degrees to 120 degrees F ); Storage: -29 degrees to 74 degrees C (-20 degrees to 165 degrees F)

    - Overall Dimensions: 1.72 x 8.60 x 6.37 in. (43 x 218 x 162 mm)

    - Net Weight: 2 lbs, 5 oz (1.1 kg)

bottom of page