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The Prism Sound Titan is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers, and producers as well as recording studios, post-production facilities, and scoring stages. Titan is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analog summing, and critical listening applications.


Titan provides Prism Sound's renowned performance, sound quality, and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Titan can also operate stand-alone using its S/PDIF or AES3 I/O.

Unsurpassed Clocking and Jitter Rejection

Prism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.

Digital Mixer With Flexible Monitoring

Titan has a powerful built-in digital mixer that can be configured to provide a multitude of ultra low latency feeds, Including foldback to performers, stereo and surround outputs.

Flexible I/O

Titan has a maximum capability of 18 concurrent input and output channels, offering 8 analogue recording channels, 8 monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I/O ports.

Future Proof Connectivity

With a standard USB connection Titan can connect to the widest range of computers today and for the foreseeable future. Add to this the option of ProTools HDX and Dante modules for the most flexible and professional solution.

The Features

No-compromise, full Prism Sound audio quality

Dedicated USB interface

ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)

Directly compatible with CORE AUDIO on Mac OS X 10.4+

Eight "Prism Sound" premium-quality AD and DA channels

Concurrent operation of ADAT and switchable S/PDIF or AES3 ports

Four high-end integrated mic preamps (typ.-130dBu EIN), switchable phantom

MS Matrix processing on mic inputs

Two instrument inputs

RIAA Equalization on inputs 1 & 2

Prism Sound "Overkillers" on every analogue channel to control transient overloads

Fully-floating (isolated) balanced architecture for optimum noise rejection

Mono or stereo input configurations

Outputs selectable between workstation bus or Titan mixer

Low-latency "console-quality" digital mixer for foldback monitoring

Fader, pan, cut, solo on every mixer channel

Dual headphone outputs each with its own front-panel volume control

Front-panel master volume control, assignable to selected channels

Configurable for stereo, 5.1 or 7.1 or surround monitoring

Built-in sample rate conversion (SRC) on S/PDIF Inputs and Outputs

Prism Sound 4-curve SNS noise shaping on digital outputs

State-of-the-art clock generation with proprietary hybrid 2-stage DPLL

Prism Sound Titan USB 2.0 Audio Interface

  • Prism Sound Titan
  • USB 2.0 Audio Interface
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