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The Prism Sound Titan is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers, and producers as well as recording studios, post-production facilities, and scoring stages. Titan is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analog summing, and critical listening applications.

 

Titan provides Prism Sound's renowned performance, sound quality, and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Titan can also operate stand-alone using its S/PDIF or AES3 I/O.


Unsurpassed Clocking and Jitter Rejection

Prism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.


Digital Mixer With Flexible Monitoring

Titan has a powerful built-in digital mixer that can be configured to provide a multitude of ultra low latency feeds, Including foldback to performers, stereo and surround outputs.


Flexible I/O

Titan has a maximum capability of 18 concurrent input and output channels, offering 8 analogue recording channels, 8 monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I/O ports.


Future Proof Connectivity

With a standard USB connection Titan can connect to the widest range of computers today and for the foreseeable future. Add to this the option of ProTools HDX and Dante modules for the most flexible and professional solution.

Prism Sound Titan USB 2.0 Audio Interface

$4,233.90Price
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  • No-compromise, full Prism Sound audio quality

    Dedicated USB interface

    ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)

    Directly compatible with CORE AUDIO on Mac OS X 10.4+

    Eight "Prism Sound" premium-quality AD and DA channels

    Concurrent operation of ADAT and switchable S/PDIF or AES3 ports

    Four high-end integrated mic preamps (typ.-130dBu EIN), switchable phantom

    MS Matrix processing on mic inputs

    Two instrument inputs

    RIAA Equalization on inputs 1 & 2

    Prism Sound "Overkillers" on every analogue channel to control transient overloads

    Fully-floating (isolated) balanced architecture for optimum noise rejection

    Mono or stereo input configurations

    Outputs selectable between workstation bus or Titan mixer

    Low-latency "console-quality" digital mixer for foldback monitoring

    Fader, pan, cut, solo on every mixer channel

    Dual headphone outputs each with its own front-panel volume control

    Front-panel master volume control, assignable to selected channels

    Configurable for stereo, 5.1 or 7.1 or surround monitoring

    Built-in sample rate conversion (SRC) on S/PDIF Inputs and Outputs

    Prism Sound 4-curve SNS noise shaping on digital outputs

    State-of-the-art clock generation with proprietary hybrid 2-stage DPLL

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